Last edited by Grosida
Friday, April 24, 2020 | History

14 edition of Slave counterpoint found in the catalog.

Slave counterpoint

Black culture in the eighteenth-century Chesapeake and Lowcountry

by Philip D. Morgan

  • 364 Want to read
  • 0 Currently reading

Published by Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia, by the University of North Carolina Press in Chapel Hill .
Written in English

    Places:
  • Chesapeake Bay Region (Md. and Va.),
  • South Carolina
    • Subjects:
    • Slaves -- Chesapeake Bay Region (Md. and Va.) -- History -- 18th century,
    • Slaves -- South Carolina -- History -- 18th century,
    • Slaves -- Chesapeake Bay Region (Md. and Va.) -- Social life and customs,
    • Slaves -- South Carolina -- Social life and customs,
    • African Americans -- Chesapeake Bay Region (Md. and Va.) -- History -- 18th century,
    • African Americans -- South Carolina -- History -- 18th century,
    • Plantation life -- Chesapeake Bay Region (Md. and Va.) -- History -- 18th century,
    • Plantation life -- South Carolina -- History -- 18th century,
    • Chesapeake Bay Region (Md. and Va.) -- Race relations,
    • South Carolina -- Race relations

    • Edition Notes

      StatementPhillip D. Morgan.
      ContributionsOmohundro Institute of Early American History & Culture.
      Classifications
      LC ClassificationsF232.C43 M67 1998
      The Physical Object
      Paginationxxiv, 703 p. :
      Number of Pages703
      ID Numbers
      Open LibraryOL693078M
      ISBN 100807824097, 0807847178
      LC Control Number97040316

      Buy the Paperback Book Slave Counterpoint: Black Culture In The Eighteenth-century Chesapeake And Lowcountry by Philip D. Morgan at , Canada's largest bookstore. Free shipping and pickup in store on eligible orders. “Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry.” Philip D. Morgan, This historical work provides a balanced appreciation for the oppressiveness of bondage and for the ability of slaves to shape their lives, showing that, whatever the constraints, slaves contributed to the making of their history. Only the River "This is an epic generational tale set against the backdrop of revolutionary war in Nicaragua Filled with lyrical prose and lush descriptions of the setting (including Pepa’s explorations of the jungle and its animal inhabitants), this is a thoughtful reflection on a family and its legacy."Booklist.


Share this book
You might also like
So thats why they call it Great Britain

So thats why they call it Great Britain

Crowded hours

Crowded hours

Perspectives on Geographic Aspects of Information Systems.

Perspectives on Geographic Aspects of Information Systems.

Methods for reconstructing spatial distributions of radiation from plasmas

Methods for reconstructing spatial distributions of radiation from plasmas

The Imagineering field guide to Disneyland

The Imagineering field guide to Disneyland

Valuing our environment

Valuing our environment

Catalogue of the portion of the permanent collection of oil and water colour paintings arranged for exhibition

Catalogue of the portion of the permanent collection of oil and water colour paintings arranged for exhibition

Computer techniques.

Computer techniques.

Judges of the United States

Judges of the United States

French symbolist painters: Moreau, Puvis de Chavannes, Redon and their followers

French symbolist painters: Moreau, Puvis de Chavannes, Redon and their followers

Who was that lady I saw you with?

Who was that lady I saw you with?

Cal 95

Cal 95

Slave counterpoint by Philip D. Morgan Download PDF EPUB FB2

Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry (Published by the Omohundro Institute of Early American History and the University of North Carolina Press) [Morgan, Philip D.] on *FREE* shipping on qualifying offers.

Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry (Published by the Omohundro Cited by: Los Angeles Times Book Review (Best Nonfiction Books of issue) "An exhaustive and authoritative synthesis of slavery in the Chesapeake (Virginia and Maryland) and the South Carolina Lowcountry, Slave Counterpoint is also a fine example of comparative history."--Richmond Times-Dispatch.

Slave Counterpoint book. Read 5 reviews from the world's largest community for readers. Black Slave counterpoint book in the Eighteenth-Century Chesapeake and Lowcountry” as Want to Read: it should be that the South is not homogenous and that slave experiences demonstrate spatial difference, even within the same region.

flag Like see review/5. Philip Morgan, received his Ph. in American history from University College London and is currently a professor of history at Johns Hopkins University, joined the ranks of these historians with his book Slave Counterpoint. In the book, he “tried to treat slaves, not as slaves.

Philip Morgan, Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry List: 17thth Century Subjects: Agriculture, Slavery. Philip Morgan's extensively researched and exhaustively detailed tome aims to compare and contrast the formation and social structure of the two predominant slave societies on the North American continent - the Chesapeake and the Lowcountry.

In the s, a slave named Frank and a servant named Peter Wells, who were drinking in Mrs. Vaulx's parlor in York County, joined forces in fighting two yeoman whites who had insulted the slave by saying "they were not company for Negroes" and the servant by referring to.

Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry / Edition 1. by Philip D. Morgan | Read Reviews. Paperback This book is without question the most comprehensive and richly documented account of African American life in the eighteenth-century plantation South.

Philip Morgan examines all aspects of the Price: $   Slave Counterpoint. Despite being published over 20 years ago, Philip Morgan’s Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry remains today one of the leading studies on black culture in eighteenth-century America.

His work compares slave societies in the Virginia Chesapeake to that of the South Carolina. Slave Counterpoint on *FREE* shipping on qualifying offers. Slave Counterpoint by Philip D. Morgan. Chapel Hill, Manufacturer: Chapel Hil,   T.H.

Breen reviews Philip Morgan's book "Slave Counterpoint" on 19 Julyin the New York Times -- In an American tobacco planter residing in England decided to send his slave Aron back to Virginia.

Joseph Ball expressed great concern for Aron's welfare, instructing white overseers in the colony to provide the slave with a ''framed House,'' a sturdy bed and a selection of ''Household. Slave Counterpoint is about black culture in the period during the eighteenth century.

He talks about the plight of the slaves who were subjected to a significant amount of suffering even after the abolition of the slave trade. (“Slave Counterpoint by Philip Morgan Book Report/Review”, n.d.) Let us find you another Book Report Author: Fbins.

Buy Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry (Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia) 1 by Morgan, Philip D. (ISBN: ) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders.5/5(2).

Although Morgan’s is the more authoritative and detailed account, “Slave Counterpoint” and “Slaves in the Family” paint similar pictures of the economy of the Lowcountry rice plantations.

Morgan unsurprisingly makes several more historiographical arguments over the course of seven hundred pages.

He enters into the paternalism debate by arguing that in both regions (although more so in the Chesapeake) austere patriarchalism gradually gave way to a gentler form of paternalism as the 18th century progressed - although reviewers seemed to take issue with his characterization as.

Get this from a library. Slave counterpoint: Black culture in the eighteenth-century Chesapeake and Lowcountry. [Philip D Morgan; Omohundro Institute of Early American History & Culture.; Frank and Virginia Williams Collection of Lincolniana (Mississippi State University.

Libraries)] -- "On the eve of the American Revolution, nearly three-quarters of all African Americans in mainland British. Open Library is an open, editable library catalog, building towards a web page for every book ever published. Slave counterpoint by Philip D.

Morgan,Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia, by the University of North Carolina Press edition, in English Cited by: Philip D.

Morgan (born ) is a British has specialized in Early Modern colonial British America and slavery in the Americas. Inhe won both the Bancroft Prize and the Frederick Douglass Prize for his book Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry ().

Catalog Slave counterpoint» Book» Slave counterpoint: Black culture in the eighteenth-century Chesapeake and Lowcountry (Book) Average Rating. Slave counterpoint by Philip D. Morgan. Publication date Internet Archive Contributor Internet Archive Language English.

Access-restricted-item true Addeddate Bookplateleaf Boxid Borrow this book to access EPUB and PDF files. IN COLLECTIONS. Books to : This is a wonderful study for composers, and this book will walk you through the concepts of Counterpoint which were employed by Bach, Handel and others.

I, myself, studied this book and then wrote a simple trio for Violin, Cello and Piano which during performance was taken for a /5. slave and “free” states, and although many of the fugitives whose stories are told in this book ended up in Canada and even Britain, the reader does not need a passport.

And unlike Delbanco’s book, which spans nearly a century, Blackett’s book is more tightly focused in time on the Fugitive Slave Law ofAuthor: Adam Rothman.

In this first chapter from Slave Counterpoint, Philip Morgan, history professor at the College of William and Mary, explores the similarities and differences of two regional slave cultures of the.

Johnson W. Review of Philip D. Morgan, Slave Counterpoint: Black Culture in the Eighteenth- Century Chesapeake and Lowcountry. American Historical Review. ; (4)Author: Walter Johnson. All Book Search results » About the author () Philip D.

Morgan is professor of history at Johns Hopkins University. Bibliographic information. Title: Slave Counterpoint: Black Culture in the Eighteenth-century Chesapeake and Lowcountry Omohundro Institute of Early American History and Culture Series4/5(1).

Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry. By PHILip D. MORGAN. Chapel Hill and London: University of North Carolina Press for the Omohundro Institute of Early American History and Culture, xxiv, pp.

$ cloth; $ by: Slave counterpoint: Black culture in the eighteenth-century Chesapeake and Lowcountry Philip D. Morgan. Chapel exploring the differences as well as the similarities.

The result is a detailed and comprehensive view of slave life in the colonial American South."--BOOK JACKET. Contents. SLAVE COUNTERPOINT IN CONTEXT Peter A. Coclanis* IN CATHY N. DAVIDSON, AN EMINENT PROFESSOR OF English at Duke University, wrote an extremely interesting and highly acclaimed book on Japan called Thirty-Six Views of Mount Fuji.1 In this book, Davidson employed a brilliant narrative strategy to unveil the structure and.

Get this from a library. Slave counterpoint: Black culture in the eighteenth-century Chesapeake and Lowcountry. [Philip D Morgan]. Slave counterpoint: Black culture in the eighteenth-century Chesapeake and Lowcountry» Slave counterpoint: Black culture in the eighteenth-century Chesapeake and Lowcountry.

Average Rating. Author. Morgan, Philip D. Slave Counterpoint by Philip D. Morgan,available at Book Depository with free delivery worldwide/5(97). Although not focused exclusively on female enslavement, Philip D. Morgan’s Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake & Lowcountry echoes the contrasting identities between white and black Americans and its impact on the moral development of.

atext-bookinsimple strictcounterpoint counterpointsimplified by francislyork,m.a. boston oliverditsoncompany newyork &co. chicago lyon&healy Size: 7MB. COUNTERPOINT BASED ON EIGHTEENTH CENTURY PRACTICE Download Counterpoint Based On Eighteenth Century Practice ebook PDF or Read Online books in PDF, EPUB, and Mobi Format.

Click Download or Read Online button to COUNTERPOINT BASED ON EIGHTEENTH CENTURY PRACTICE book pdf for free now.

In music, counterpoint is the relationship between voices which are harmonically interdependent yet independent in rhythm and contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the term originates from the Latin punctus contra punctum meaning "point.

Discover librarian-selected research resources on Slavery in the Caribbean from the Questia online library, including full-text online books, academic journals, magazines, newspapers and more.

Home» Browse» History» Caribbean and West Indian History» Slavery in the Caribbean. First Annual Frederick Douglass Book Prize Recipients: Ira Berlin, Many Thousands Gone: The First Two Centuries of Slavery in North America. Philip Morgan, Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry.

Finalists: Julie Roy Jeffrey, The Great Silent Army of Abolitionism: Ordinary Women in the Antislavery. Canada and the United States Slave Counterpoint: Black Culture in the Eighteenth-CenturyChesapeakeand Lowcountry.

Chapel Hill: University of North Carolina Press, for the Omohundro Institute of Early American History has written a book that is destined to be read and. Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake & Lowcountry by Philip D. Morgan. Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia, by the University of North Carolina Press ().

xxiv + pp. including index. 6 x inches. About the Book. ← Return to Article Details Book Review: Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry, by Philip D. MorganAuthor: Mitchell Snay. A Bahian Counterpoint shows that, although often dismissed as peripheral or marginal activities in the literature on Brazil, the production and marketing of foodstuffs for internal consumption played a crucial role in the development of the Recôncavo's slave-based export economy.

Philip Morgan's Slave Counterpoint is perhaps the most exhaustive such treatment, a book from which I have learned a great deal, but when he mentions literate slaves, it is usually in the context of something other than literacy per se.

John W. Blassingame, The Slave Community: Plantation Life in the Antebellum South, rev. ed, (New York: Oxford."On the eve of the American Revolution, nearly three-quarters of all African Americans in mainland British America lived in two regions: the Chesapeake, centered in Virginia, and the Lowcountry, with its hub in South Carolina.

Here, Philip Morgan compares and contrasts African American life in these two regional Black cultures, exploring the differences as well as the similarities. The result.The slave trade and the African diaspora; The Cambridge World History. The Cambridge World History. Chapter. Chapter; Email your librarian or administrator to recommend adding this book to your organisation's collection.

The Cambridge World History Morgan, Philip, Slave Counterpoint: Black Culture in the Eighteenth-century Chesapeake Cited by: 2.